Daily Archive for June 2nd, 2008

Bo Diddley, RIP

Bo Diddley, a Rock ’n’ Roll Pioneer, Is Dead at 79

Bo Diddley, a singer and guitarist who invented his own name, his own guitars, his own beat and, with a handful of other musical pioneers, rock ’n’ roll itself, died Monday at his home in Archer, Fla. He was 79.The cause was heart failure, a spokeswoman, Susan Clary, said. Mr. Diddley had a heart attack last August, only months after suffering a stroke while touring in Iowa.In the 1950s, as a founder of rock ’n’ roll, Mr. Diddley — along with Chuck Berry, Little Richard, Jerry Lee Lewis and a few others — helped reshape the sound of popular music worldwide, building it on the templates of blues, Southern gospel, R&B and postwar black American vernacular culture.

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Mr. Diddley said he had first heard the “Bo Diddley beat” — bomp ba-bomp bomp, bomp bomp — in a church in Chicago. But variations of it were in the air. The children’s game hambone used a similar rhythm, and so did the ditty “Shave and a haircut, two bits.”

The beat is also related to the Afro-Cuban clave, which had been popularized at the time by the New Orleans mambo carnival song “Jockomo,” recorded by Sugar Boy Crawford in 1953.

Whatever the source, Mr. Diddley felt the beat’s power. In early songs like “Pretty Thing” and “Bo Diddley,” he arranged the rhythm for tom-toms, guitar, maracas and voice, with no cymbals and no bass. (Also arranged in his signature rhythm was the eerie “Mona,” a song of praise he wrote for a 45-year-old exotic dancer who worked at the Flame Show Bar in Detroit; this song became the template for Buddy Holly’s “Not Fade Away.”)

I’m partial to “Sixteen Tons” myself, though “Bo Diddly” and its signature beat are certainly a more important part of Bo Diddley’s legacy.  Early in his career, Bo Diddley appeared on The Ed Sullivan show, and was instructed by Sullivan to play “Sixteen Tons.”  Without any warning, he played “Bo Diddley”  instead.  Sullivan was furious, telling Diddley he’d never appear on television again.  Indeed, Diddley didn’t appear again on broadcast television for 10 years.  That performance is available on for viewing here (if you can bear the host site’s eye scalding design).

Wouter Van Veldhoven’s ‘Four Simple Songs for Five Dead Bumblebees’ (Eat This Media, 2008)

After a two month wait, Dutchman Wouter Van Veldhoven’s latest ambient release finally arrived on my doorstep.  Considering the monumental delay, I have to assume the simple square six-inch cardboard package’s journey from Eat This Media’s Dutch offices to The Submersible Dirigible’s NYC-based corporate towers was a laborous one, apparently traveling over land by crab-walk, and over the Atlantic by paddleboat.  Fortunately, Wouter’s latest record turned out to be a soothing remedy for injustice, allowing me to quickly forgive the collaborative failure of the Dutch and American mail-carriers.

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icon for podpress  wouter in context (bookmarked aac): Download (138)

 
icon for podpress  wouter in context (mp3): Play Now | Play in Popup | Download (139)
wouter van veldhoden, tim hecker, william basinski, colleen — tracklist.txt

With only a handful of previous releases — I assume Wouter’s work hasn’t yet captured the eye of most ambient music fans.  Considering Wouter’s Four Simple Songs alongside his earlier, far-too-limited Ruststukken (Slaapwell, 2007), it seems likely he’ll soon be to mentioned alongside the best established work from our era’s biggest contemporary-minimalist super-celebrities.  Stylistically, Wouter’s brittle tape-fueled ambient arrangements feel inspired primarily by William Basinski’s own melancholy, high-altitude tape-glaciers.  “Second Simple Song” (see podcast) makes the most convincing case for Basinski’s influence on the record; the track’s leaky organs and inky rythms are drenched in a shrill, pervasive electrostatic leaking from the track’s warmer, ailing melodies.  Decay and crafted interference burden the more emotive instrumentation like a wet blanket, familiar from comparable Basinski releases like The Disintegration Loops (2062, 2002/2003) or Variations for Piano & Tape (2062, 2006).

Continue reading ‘Wouter Van Veldhoven’s ‘Four Simple Songs for Five Dead Bumblebees’ (Eat This Media, 2008)’